"Pembrokeshire Lane", Audrey Johns (from "Postcards from the past" at the Pure Art Gallery, Milford Haven Marina (via walesonline.co.uk)

“Pembrokeshire Lane”, Audrey Johns (from “Postcards from the past” at the Pure Art Gallery, Milford Haven Marina (via walesonline.co.uk)

Inside Out’s National Libraries Day event at Oswestry Library was in the Shropshire Star again this week, mentioned in an article about John Swogger’s comic on Richard III. The comic also features in an article on the University of Leicester’s press pages talking about the various comic artists and writers who have been inspired by the discovery.

There’s an important point to be made about narrating history, here. It does seem to be the case that successfully presenting the past requires more than just text – that it needs a visual “hook” as well. If that’s the case, what does that say about art’s relationship with time, memory and landscape? Is there something unique about the way that art taps into the past? So many artists seem to want to consciously evoke or present their own connection to the past in their work. Is there something perhaps about the creative working process that captures something significant about time?

Our latest exhibition at The Hand is entitled Ceiriog: Past, present and future, and I’m hoping that the works that go up in the dining room will reflect this ability of art to capture the flow of history within a landscape. Certainly this sense of a place with a deeply-rooted past is one of the things that visitors find so attractive about the valley – and art very much seems to be one of the things that can unfold that story for people.

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